Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?

On the fifth of December 2024, a leading publication ran the headline “Insurance CEO Gunned Down In Manhattan”. The report then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then walked coolly away”. The daytime killing was indeed both cold and shocking. But numerous US citizens had a different response: for those who faced insurance rejections or faced exorbitant healthcare costs, the news felt like a release. Online platforms erupted. One comment stated: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the AI algorithm the insurance company designed to increase earnings on your health.”

Less than a week after, Luigi Mangione, a handsome, twenty-six-year-old University of Pennsylvania graduate with a master’s in computer science, was apprehended at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with the district attorney seeking the death penalty. So what is his background? And what might have motivated the accused offense? These are the issues John H Richardson attempts to answer in an investigation that explores broader themes, too.

The Making of a Subject

A journalist for Esquire magazine, Richardson devoted considerable time to studying the groups that lurk in the dark corners of the internet, producing articles about people “plagued by genuine concerns about an end-times scenario”. To reveal “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of 295 books on a reading platform”. Their subject matter ranged from climate change to masculinity, along with a “focus on his own self-improvement, both physical and mental”. Additionally, Richardson analyzes his correspondence with influencers and authors as well as his many posts on social media. These original materials, intended to depict a picture of Mangione, instead present him as an unclear character. Richardson tries to justify this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old deceiver’s charm”. Here, as elsewhere, Richardson tries to frame his subject in symbolic roles.

Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’

Interpreting the Incident

As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “refuse” and “depose”, engraved on the ammunition left behind at the crime scene. These are the terms occasionally employed by health insurance companies to reject claims. He looks at the evidence Mangione suffered from a chronic back condition, which might have provided motive for an attack, but finds no proof; instead, what significance there is seems to lie in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, moving rapidly to the edge”; a world where the consensus seems to be that AI is going to ultimately either take control, or destroy us, or both.

Gaps in the Narrative

Conspicuous by their absence from the book are interviews with the key individuals. Richardson asked, of course, but never expected time with Mangione himself. And his family stated explicitly that they had decided against speaking to the press in prior to the trial. Another glaring gap is any detailed data about the victim, Thompson, though we learn that under his leadership, from the early 2020s, company earnings rose significantly.

Unclear Conclusions

By book’s end, the audience has no clear understanding of Mangione’s personality or what might have motivated his accused actions. Worse still, Richardson’s obvious sympathy for him gives the reader the disturbing feeling of having been exposed to a veiled endorsement of an targeted killing. In the book’s final lines, Richardson presents his mythical interpretation: “We’ve entered a time of fables, the insane ruler, the monster in the maze and the naked leader.” In that fable “outlaw heroes come with a appealing vow … They arrive in periods of unrest, when the people are suffering and everything is confusing anymore.”

One thing is certain: as Mangione’s legal representatives continues in its attempts have charges that could lead to the death penalty dismissed, any reference of fables, folk heroes, heroes or monsters will not be allowed in court in support for this attractive individual with a “jawline … and lips … out of a Caravaggio painting” facing judgment for murder.

Vanessa Velazquez
Vanessa Velazquez

A tech entrepreneur and writer passionate about digital transformation and startup ecosystems.

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